We Who Wrestle With Sylvia
I do
pub poetry at my Urmston local.
It’s wholesome, a monthly welcome,
like blood. Refreshing,
it ain’t no karaoke,
set in a mulled wine mug of a snug.
We talk bollocks
and read with cajones.
One week, we tell origin stories:
pint-size superheroes
with the power of front-door poems…
I’m teleported to an alley in the hills,
direct like a sentence from the corner shop to the college bus.
I’ve bought The Guardian with pocket shrapnel
for its pamphlet of Plath.
Her blurb’s drawn me.
I’m peeking, impatience fingerish;
she’s whispering secrets with delicious violence.
For a song of a moment,
whose swell never leaves me,
I stand: coloned on cobbles;
gaping.
Fast forward –
two words, horror: Cambridge interview.
I’ve dolled up in bad advice
to masquerade as a 19th century chick.
It starts:
“Well. What about Jane Austen?”
“Well, whadabout Jane Austen.”
It finishes. 10 seconds in.
The clock’s a stanza break so white-vast it hurts
like sun on snow.
“I see you’ve studied war poetry.
Pick a poem. Any poem.
Any non-war poem.
Discuss.”
‘Daddy’ pings to mind
but not to brain.
My accent’s thick as trenchmud,
thoughts barbed wire limbs.
Urm. Is ‘Daddy’ a war poem…
I fail
because I don’t yet know
I am a poet
with an engine of a heart
and no bonnet.
Sylvia does.
Memories of twenties
are magnets of madness.
Somewhere among:
a closebook brute called Hughes (no kidding)
whose red bed I never fully leave;
drawers and drawers of psych patients
screaming even through socks;
cloakrooms of doctors prescribing outta hats
(one produces a printout of Jacob and the Angel –
true story);
blackout hours drugged under-desk,
dying for a siren;
ICU, A&E, OD,
heartbeat BP BPD BD…
I start to pen,
shockingly,
plathora of poems.
I wrestle “me, me” meaning,
I wrestle forms, feel breath,
I wrestle darkroom darkness,
I wrestle death, with sex,
I wrestle to be brilliant,
I wrestle lies, confess,
I wrestle bad dads, umMums,
black dogs, say-mania,
I wrestle I
wrestle I
wrestle
I wrestle with Sylvia.
Back at The Barking Dog,
I spin this quasimodo quasi-myth,
my creation origin.
Laid on my Docs is Sylvia –
a black lab puppy wagging a bone.
Holding my hand is a direct sunshine man
who’s no fan of verses (honestly).
He springs me:
“So, Plath only got one phase,
no difficult second album,
no rose period, no born-again God”.
Of course – she wudda developed
like colour photos of colour cities,
a master mage page planner.
I’ve developed –
squall surveyor raging against cages of night,
to dwelling in these little houses of light.
So: to odes of poets in pubs
and bars of pubs in poets,
to our Sylvia’s shadows of sonnets:
let’s raise a pen – to toast.